Prodigy - Always Outnumbered, Never Outgunned
Just out, and by all accounts top notch. Of course I've only heard a track or two in passing but what I've heard is great. Definitely on the list.

The Orb - Bicycles & Tricycles
A year and a half ago I almost ordered the Japanese import version but balked because I thought it'd take too long to get here. And I still don't have a copy. Hasn't stopped me from getting some tantalizing sneak peeks. Time to cleanse the palette and start fresh after Cydonia.

Underworld - 1992-2002
It's a whale of a release. Two cd's of all the good stuff plus rarities. Full-length versions of tracks unlike the Orbital greatest release. A must-have for any Underworld fan. Does not disappoint.

Orbital - Blue Album
I can't believe this will be the last Orbital release. One of my all-time favorite groups. It's too bad because they're brilliant. I doubt we'll see the last of the Hartnoll brothers.

Crystal Method - Legion of Boom
From time to time I still spin Vegas and after all these years it holds up really well. This one was higly anticipated and should deliver, and is definitely on the list.

"From a Distance (Blast Master vs. The Corporal)" - The Orb: Bicycles & Tricycles

The John Roome Witchman influence is hard to miss, apparent in the crunchy-dirty beats, echoey samples, and haunting feel. It's a desperate dance club at the very edge of the universe. An apocalyptic vision of the Star Wars cantina on Tatooine years after the rave scene came and went. Trails out almost to a whisper around 2:45 then slowly builds back up, adding elements, gaining momentum, building back the chugging, rolling rhythm until 3:50 when we're all the way back, really rolling in the cut. The 'keep on moving' sample, spoken, almost sung, emplores us in a defiant sassy way. It's as if our lives depend on it. It sloshes and reels and chugs, bouncing about in its own power, like a deamon possessing a dirvish.

From a Distance

"Second Hand" - Underworld: Chillout Annual 2002

Yeah I know it's only a matter of time before some Underworld junkie comes along and tells me where this track originally came from. I'm quite sure it exists outside of the Chillout Annual 2002 release (where, incidentally, it dovetails nicely into "One Too Many Mornings" by The Chemical Brothers. Oh come on, it grooves the hell out of my shit. There, I said it. Eff you).

Anyway, this track... its like building up to then achieving "the zone" (corny, but roll with me here). You work to it, you get to it, you're there and you really start to take off man, but in a sublime way. In a metaphysical way, like realizing that the key to life is the result of your comprehension of the cream filling inside a twinkie. Perhaps it's a blissful realization in slow-motion, captured with high-speed film for the highlight reel. To sum it up, the whole thing, start to finish, in a single word, sublime.

"Otherside" - Red Hot Chilli Peppers: Californication

Aright, here's the thing with this one. The verses are sort of ok, somewhat tolerable (read: suck) but everything else is brilliant. Ho man, that opening with the guitar and bass, then comes the Kiedis with the chorus. Lonely and sad, and delightful. Then we limp into the first verse. But like I said, it's absolutely all about the refrain... windows down, stereo cranks, and I sing along with reckless, dorkified abandon. But only the refrain. Fuck the verses. Too complicated. Hell, sometimes I even try to harmonize (just like Flea).

The Indie Bible

Honestly there's not a lot that hasn't already been said about The Indie Bible. There isn't a single negative review about this book to be found anywhere on the planet, at least as far as I've seen. Here's my crack at it.

The bulk of the book is dedicated to listing outlets and resources for various genres of music. No matter what style, be it mainstream or the most far-out niche, this book packs a punch.

Cool thing is if your style doesn't fit, there's probably a close match. Still no luck? there's listings for all styles. If what you're producing still doesn't fit, send it to me because I've gotta hear it.

There's an extremely helpful "Section Six: Articles that will Help you to Succeed in the Music Business." 39 articles from industry folks that pretty much guide you through all the ins and outs of being a playa in tha' biz.

I mean, here's the beef, people. If this was a hamburger you could get at McDonalds, I'd be the 12-Pound Triple Stack Combo. The ins and outs of the biz, from soup to nuts. The only shortcoming is that the lyrics for 'Show Business' by A Tribe Called Quest are nowhere to be found.

As a reviewer I can vouch for the advice in the "Getting Your Music Reviewed" section. Christ if only a tiny fraction of the submitters to my site read the advice in this section I'd be one happy hombre. Please. For my sanity.

Keith Hannaleck nails it on the head with his article "What A Reviewer Wants From An Artist." Believe me, an ounce of common-sense professionalism and common courtesy go one hell of a long way.

Some of my big pet-peeves are those mailers that have the shredded old bits of fabric and lint for packing material. No matter how you open it the stuff gets all over the place. I also enjoy when the material just barely fits in the envelope and I tear through it when I open the package. And please, PLEASE if you're going to send me a CD of material that you've burned yourself, encode the track titles in the song files. And don't use a marker to label a store-brought CD-ROM. I love that.

But I digress. Give your hard work a decent chance and follow the advice in the book. It's the best $25 investment an indie musician can make. Get The Indie Bible before the Mackie, before the Tascam, and way before the bulk blank CD-ROM's.

- Art Grauer

DREAM INTO DUST, AKRON/FAMILY, GRANDVIEW GRAMMAR : NYC 9.17

9/17/2004 @ The Tank:

DREAM INTO DUST [12mid]
http://www.dreamintodust.com/

AKRON/FAMILY (Young God Records) [11pm]
http://www.akronfamily.com/

GRANDVIEW GRAMMAR (members of STARS LIKE FLEAS) [10pm]
http://slf.praemedia.com/

THE TANK
432 W 42 ST. NYC
http://www.thetanknyc.com/
five dollars

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